Bormann claimed: "Just as they later took control of newspapers, Jews living in Germany took control of printing presses when these were first introduced and that is how printers in Germany came to use Jewish letters from Schwabach."Īnyone who knew the first thing about the history of printing, as Amann and Müller likely did, could tell that there wasn't a word of truth in this allegation. It's also doubtful that these two, although they were committed Nazis, believed Bormann's nonsensical explanation for the change. The letters, cast in lead alloy, were expensive and switching to a new typeface required a significant financial investment, so the two businessmen probably tried to put the brakes on. It seems unlikely that Amann and Müller welcomed Hitler's decision. Müller & Sohn, which along with Eher Verlag printed the party newspaper Völkischer Beobachter and many of the millions of copies of Hitler's inflammatory Mein Kampf.Įher Verlag printed many of the millions of copies of Hitler's inflammatory Mein Kampf - Photo: Matthias Balk/DPA via ZUMA Press He therefore controlled almost the entire German publishing industry, while Adolf Müller ran Munich-based printers M. Max Amann, the Führer's oldest friend among the regime's top brass (in World War I, he was temporarily Hitler's superior), was head of the publishing house Franz Eher Verlag. Strict guild rules almost completely excluded Jews from this new industry. Over time, all printed matter should be switched over to this standard typeface." It's not clear exactly why Hitler came to this decision there is simply not enough evidence. In his memo, Bormann explained: "Today the Führer, in conversation with Reichsleiter Amann and printing press owner Adolf Müller, has decided that from now on the Antiqua typeface should be the standard. In reality this so-called Gothic script is a Jewish typeface from Schwabach." From then on, only a roman typeface – specifically Antiqua – was to be used in official communications. He wrote, "It is wrong to refer to the so-called Gothic type as a German typeface.
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3 1941, Martin Bormann, the soon-to-be Chief of the Nazi Party Chancellery, circulated an internal memo (marked "not for publication") to the party's top officials, including the Reichsleiter, Gauleiter and heads of various party organizations such as the Hitler Youth, SA, SS and the National Socialist Motor Corps. Since the publication of the 25 Point Programme in February 1920, almost all documents issued by the Nazi Party were set in Gothic type.
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For more than two decades, the National Socialist German Workers' Party had always printed its anti-Semitic propaganda in so-called German blackletter. BERLIN - The announcement came as something of a surprise.